BOOKS/MONOGRAPHS/EDITIONS

2014
Dislocated memories: Jews, music, and postwar German culture, edited with Lily Hirsch. New York: Oxford University Press, forthcoming in September.

2013
German-Jewish organ music: An anthology of works from the 1820s to the 1960s. Middleton, WI: A-R Editions.

Hans Samuel: Selected piano works. Middleton, WI: A-R Editions.

2012
Salomon Sulzer: Reformer, cantor, icon / Salomon Sulzer: Reformer, Kantor, Kultfigur. Berlin: Hentrich & Hentrich.

2009
The organ and its music in German-Jewish culture. New York: Oxford University Press.

2005
Orgeln und Orgelmusik in deutsch-jüdischer Kultur [Organs and organ music in German-Jewish culture]. (Netiva: Wege deutsch-jüdischer Geschichte und Kultur, 6) Hildesheim: Georg Olms Verlag, 2005.


SELECTED JOURNAL PUBLICATIONS

2013
"Five days in Berlin: The Menuhin affair of 1947: A chapter in the history of postwar Berlin." Musical Quarterly XCVI/1: 14–49.

2011
"Music and politics after the Holocaust: Menuhin's Berlin concerts of 1947 and their aftermath." Arbor CLXXXVII/751: 887–904.

2009
"Raqs Gothique: Decolonizing belly dance." TDR: The Drama Review 53:3 (T203): 117–138.


SELECTED BOOK CONTRIBUTIONS

2011
"Beyond the binary: Remapping Jewish-liturgical music in a borderland." Zdravko Blažekovic, ed: Series of the Barry S. Brook Center for Music Research and Documentation, forthcoming.

2006
"Music and literature in the philosophical imagination: Friedrich Nietzsche's Human All Too Human." In Phrase and Subject: Studies in Music and Literature (Legenda, European Humanities Research Centre 2005), edited by Robert Samuels and Delia da Sousa Correa. Oxbow Books: Oxford, 62–83.

2005
"'Identity in Crisis': Nationale und kulturelle Entitäten in den Orgelkompositionen Jaromír Weinbergers" ['Identity in Crisis': National and cultural entities in Jaromír Weinberger's organ compositions]. In Die böhmischen Länder als Orgellandschaft (Editio Bärenreiter Praha, 5), edited by Torsten Fuchs. Prague: Bärenreiter, 88–97.

2004
"Traditionell und modern zugleich: Die Popularisierung jüdisch-liturgischer Musik als Erinnerungsstrategie" [Traditional and yet modern: The popularization of Jewish-liturgical music as strategy for memory]. In Populäre Konstruktionen von Erinnerung im deutschen Judentum und nach der Emigration, edited by Joachim Jacob and Hotam Yotam. Göttingen: Vandenhoeck & Ruprecht, 83–100.